Sky God vs Earth Goddess

 Much of my writing explores the imbalance between masculine (Sky God) and feminine (Earth Goddess) principles, as in the takeover of the old religion in ancient Sumer that forms the basis of DAUGHTERS OF TIME, and the deadly struggle between the Wardens of the Land and the Archpriests of the One God in THE ELEMENT SERIES. This is also the focus of my non-fiction book, DON'T TAKE IT LYING DOWN: LIFE ACCORDING TO THE GODDESS.

Here are some thoughts about the feminine principle . . .

  

The feminine principle or archetype has been present in all cultures across time -- in images, myths, songs, and fairytales. In the modern world, however, we can easily lose touch with the mythical and magical realms of the Goddesses. We find ourselves looking to Hollywood and women’s magazines, where women all too often embody a strange mix of Aphrodite and the eternal girl.  

In fairytale and myth, we find the princess, the queen, the wicked stepmother, the witch, the warrior, the fairy godmother, and other significant feminine archetypes. A Goddess is a particular form of the feminine archetype. The Goddesses of ancient Greece, for example, come to us as images and stories of the feminine principle. In their book, THE GODDESS WITHIN, Woolger and Woolger said that:

all creative and inspirational thinking, all nurturing, mothering, and gestating, all passion, desire, and sexuality, all urges towards connectedness, social cohesion, union, communion, all merging and fusion as well as impulses to absorb, to destroy, to reproduce, and to replicate belong to the universal archetype of the feminine (p.10).

The most familiar Olympian Goddesses were Hestia, Demeter, Hera, Artemis, Athena, Aphrodite, and Persephone. Jean Shinoda Bolen (GODDESSES IN EVERYWOMAN) divides these Goddesses into three groups:

• the virgin Goddesses (Athena, Artemis, Hestia),
• the vulnerable Goddesses (Hera, Demeter, Persephone), and
• the alchemical or transformative Goddess (Aphrodite).

The virgin Goddesses represent the independent, self-efficient quality in women. Emotional attachments do not divert these Goddesses from what they consider important. They value autonomy and actively seek their own goals. This aspect can be seen in characters like Suzanne Collins’ Katniss Everdeen from THE HUNGER GAMES TRILOGY: woman as warrior. We also saw this in the movie, ALIENS, when  Ripley confronts the alien queen and says, “Get away from her, you bitch!”

The vulnerable Goddesses represent the traditional roles of wife, mother, and daughter. They are relationship-oriented archetypes and express the need for affiliation and bonding. The vulnerability appears in their stories as rape, abduction, domination, and humiliation by male Gods. See the 1998 film by Boaz Yakin, A PRICE ABOVE RUBIES.

Aphrodite is called the alchemical Goddess due to her capacity for autonomy, relatedness, creativity and change. This is the archetype represented in the 1998 Marshall Herskovitz film, A DESTINY OF HER OWN (DANGEROUS BEAUTY), a dramatisation of the life of Venetian courtesan, poet, and writer, Veronica Franco (1546–1591).

In ancient times, a woman might spend time in the temples of all the goddesses over a lifetime, moving freely through the stages of her development as she engaged the archetypal energies. Today we have lost much of that access to the archetypal feminine. The historical transition from matrifocal to patriarchal societies involved a shift of power from feminine principles to masculine. Cultural historian, William Irwin Thompson, has said that the

 . . . effort to displace the female seems to be the archetypal foundation for civilisation, for mankind has been at it ever since; whether he is challenging mother nature in flying away from her in rockets, or in challenging her on earth through genetic engineering, man has not given up the attempt to take away the mystery of life from the Great Mother and the conservative feminine religion  (THE TIME FALLING BODIES TAKE TO LIGHT, 1981).

This struggle between the masculine and feminine principles is the subject of many stories, although often we just find stereotyped tales of “the homicidal bitchin' that goes down in every kitchen . . ." (Leonard Cohen, DEMOCRACY).  But there are also books and films that explore the bigger picture of this struggle between the  ‘Sky God’ and ‘Earth Goddess’ principles (even if that’s not explicit in the story).  For example :

Marion Zimmer Bradley (1983): THE MISTS OF AVALON explores the takeover of the older Druidic religion of Great Britain at the advent of Christianity.

Sherri S. Tepper (1998): THE FAMILY TREE is a powerful exploration of ethical, environmental, social and metaphysical issues as Nature fights back against modern-day over-development and undervaluing of the fertile Earth.

 James Cameron (2009): AVATAR follows Jake Sully's struggle to protect the natural world and people of Pandora from corporate greed and military might.

 THE PLACE WHERE STORIES LIVE

To sleep, perchance to dream . . .

Dreaming is the oldest form of storytelling. Have you ever wondered who's writing all those stories in the dream world?
 

It must be someone who has attended a few writing workshops: the characters find themselves in impossible situations filled with danger and desire, they struggle to achieve their goals, there are contradictions and stress points, and everything serves the story. Things may get very strange, but that’s been known to happen in novels, too.
 

Dreams are a perilous land, where anything can happen to anyone at any time, where we can experience the “satisfaction of primordial human desires”[i] or “the realisation, independent of the conceiving mind, of imagined wonder”[ii]. That’s Tolkien, writing about the land of Faerie.
 

Like Faerie, a dream exists in a landscape with an integrity of its own. A door opens into another reality, desire is evoked, emotions are stirred. The personal, everyday sense of self encounters something other than normal, waking reality, a perfect start for writing fiction. Dreams also come with a cast of thousands. As one of my notes from a writing workshop says: all the characters you will ever write are inside you now.
 

How can we access the creative genius of dreams in our waking life?
 

The following exercise is one I developed for working with dreams.[iii] It can lead you to the place where stories live. I have used it to find a starting point for a story, to shift writer’s block, to listen to the inner muse . . .

1) Begin with a dream motif--one element of the dream that catches your attention.
 

2) Draw a small circle in the middle of a large piece of paper and write a word that describes the element of the dream in the circle.
 

3) Allow any associations that you have to that word--anything that comes to you (no censoring). Write each association at the end of a line you draw out from the central circle like spokes.
 

4) When you have finished--or have at least 8 associative words--write one, long sentence using all the associative words. Connect the words using linking verbs (be, am, is, are, was, were, being, been, be, has been, are being, might have been, etc.) and transitional words to form the sentence.
 

5) On a new piece of paper, represent each word of the sentence as a picture. The pictures can be very simple--stick figures or line drawings. They do not need to represent the words for anyone else--just you. Draw the pictures in the same sequence as the words.
 

6) Cover all the previous work except the pictures.
 

7) Get up, stretch, make a hot drink, do something else for a few minutes.
 

8) Return to the pictures and write down the story you see there. Forget the previous work. Let the pictures tell you a story and you write it down.
 

9) Keep writing . . .

______________________________________________________

[i] JRR Tolkien (1965), “On Fairy-Stories.” In Tree and Leaf, pp. 3-73. Houghton-Mifflin Company, Trade & Reference Division. p.13.

[ii] Ibid., p.14

[iii] The original idea from which I developed this dream work exercise came from: J Houston (1998), The Passion of Isis and Osiris: A Union of Two Souls. Random House.

John William Godward images

I have been gathering public domain images that reflect the women in my historical novel, DAUGHTERS OF TIME, and I found these in the work of JOHN WILLIAM GODWARD

 My books are now available on Amazon

 The Element Series

Tanar Ynsur is a land beset by deadly conflict between the Archpriests and the Wardens, ancient guardians of the land. The Wardens' only hope lies in a prophecy foretelling the coming of four to stand for the elements of Aer, Igni, Aqua and Terra, forming a Circle of power. Have the four even survived the Archpriests' purges? Will they come in time to save the Old Ways and the land?
​ 

The Wanderer's Heir

The Gathering

The Return

 

 

Daughters of Time

An historical novel that asks “What if . . .?”


Follow a line of daughters through ancient Sumer, Egypt, and Jerusalem, and into the modern world. Walk through 4000 years of history interwoven with archaeological and mythological details that reveal ancient secrets. Discover an ancient lineage that carries the memory of the goddess through time and across continents to the present day, where three women come together to save the world from environmental catastrophe.

Don't Take It Lying Down​: Life According to the Goddess

A guidebook for women in the new era

What if things are not as they seem? What if we don't take it lying down?

Reclaim your birthright through the life-giving power of the feminine . . .
​