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What if . . .? That question lies at the heart of my writing and my life. Things are not always as they seem, and there is so much we don't yet know. ​I write to explore possibilities and to invite you between the worlds, beyond the bounds of time . . . ​ In both my fiction and non fiction writing, I explore possibility. Whether creating alternative worlds or exploring creative alternatives for this world in which we live, I am inspired by magic, mystery, and the spirit that is indwelling in all things. My website: http://kaalii.wix.com/soulstory

Wednesday 19 February 2014

To sleep, perchance to dream . . .

Dreaming is the oldest form of storytelling. Have you ever wondered who is writing all those stories in the dreamscape? 

Characters find themselves in impossible situations filled with danger and desire, they struggle to achieve their goals, there are contradictions and stress points, and everything serves the story . . .   

Dreams are a perilous land where anything can happen to anyone at any time. As Tolkien wrote about the land of Faerie: we can experience the "satisfaction of primordial human desires" or "the realisation, independent of the conceiving mind, of imagined wonder."[i]

Like the land of Faerie, a dream exists in a landscape with an integrity of its own. A door opens into another reality, desire is evoked, emotions are stirred, and the personal, everyday sense of self encounters something other than normal, waking reality. A perfect start for writing fiction! And dreams also come with a cast of characters.

How can you access the creative genius of dreams in waking life?

You can use the following exercise[ii] to lead you to the place where stories live. You can use it to find a starting point for a story, to shift writer’s block, to listen to the inner muse . . .

1) Begin with a dream motif, one element of the dream that catches your attention.  

2) Draw a small circle in the middle of a large piece of paper and write a word that describes the dream motif in the circle.

3) Allow any associations that you have to that word, anything that comes to mind (no censoring). Write each association at the end of a line you draw out from the central circle like spokes.

4) When you have finished--or have at least 8 associative words--write one, long sentence using all the associative words but not the first central word. Connect the words using linking words (be, am, is, are, was, were, because, while etc.) to form a sentence.

5) On a new piece of paper, represent each word of the sentence as a picture. The pictures can be very simple--stick figures or line drawings. They do not need to represent the words for anyone else, just you. Draw the pictures in the same sequence as the words.

6) Cover all the previous work except the pictures.

7) Get up, stretch, make a hot drink, do something else for a few minutes.

8) Return to the pictures and imagine you are seeing them for the first time (like an archaeologist reading an ancient language). Forget the previous steps of the process and let the pictures suggest the story. Write it down.

9) Keep writing . . .



[i] JRR Tolkien (1965), “On Fairy-Stories.” In Tree and Leaf, pp. 3-73. Houghton-Mifflin Company, Trade & Reference Division. p.13-14.
[ii] The original idea from which I developed this dream work exercise came from: J Houston (1998), The Passion of Isis and Osiris: A Union of Two Souls. Random House.